THE CLASH - LOST IN THE SUPERMARKET / DEATH OR GLORY

Released: December 14, 1979

Album: London Calling

LOST IN THE SUPERMARKET

"Lost in the Supermarket" is a track from The Clash's 1979 album "London Calling," written by Joe Strummer and Mick Jones and produced by Guy Stevens. Despite featuring Jones on lead vocals, the song was written by Strummer. It holds the eighth position on the album's tracklist. The song's inspiration comes from Strummer's experience living near the International supermarket at 471–473 Kings Road, beneath the World's End Estate, with his girlfriend Gaby Salter and her family.

"Lost in the Supermarket" offers a commentary on the dichotomy between the personas constructed by advertising and the reality of individuals' lives. The lyrics poignantly express a sense of disillusionment and alienation, as the protagonist navigates through the consumerist landscape, feeling disconnected from the promises of fulfillment offered by marketing slogans. Strummer's admission of feeling overwhelmed by the sensory overload of the supermarket reflects a common sentiment of disorientation in modern consumer culture. Yet, the song also delves into the personal realm, exploring the experience of growing up in a working-class suburban environment, marked by feelings of isolation and fragmentation. 

DEATH OR GLORY

"Death or Glory" is a standout track on the iconic “London Calling” album. The song stands as a poignant reflection on the fleeting nature of fame and the inevitable passage of time. By drawing inspiration from the classic song "As Time Goes By" from the film Casablanca, Strummer and Jones infuse their punk anthem with a sense of nostalgia and melancholy. 

The lyric "he who fucks nuns will later join the church" carries a clever metaphorical meaning, highlighting the irony of rebellion turning into conformity over time. While it adds a humorous and thought-provoking element to the song, its provocative nature might have contributed to the decision not to release "Death or Glory" as a single. 

The reference to "Love 'n' hate tattooed across the knuckles of his hands" indeed pays homage to the iconic film "The Night of the Hunter," where Robert Mitchum's character sports these tattoos. This classic film, known for its haunting atmosphere and memorable imagery, has left an indelible mark on popular culture, influencing various artistic mediums, including music. 

Guy Stevens' eccentric and unconventional approach to producing undoubtedly left a lasting impact on the Clash's recording sessions, as evidenced by the chaotic yet inspired atmosphere during the making of "Death or Glory." His uninhibited behavior, such as smashing chairs against the wall, served to fuel the band's creative energy and push them to new heights. Stevens' ability to channel the raw emotions and intensity of the Clash into their music speaks to his unique talent as a producer.